Delivering patterns - tonality
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The way you deliver the patterns determines the difference between making her feel wonderful deep inside or you sounding like a phoney or a pathetic clown reciting some weird-sounding monologue or script.
Presenting her with the text accomplishes you nothing, the words itself will not make her feel anything. You have to be the text you deliver, you have to feel it with her, be with her every step of the way… until the final eruption:) (Yes, women have been reported to have orgasms simply by listening to patterns being delivered the right way:). So memorising the patterns presented in this guide does nothing for you, unless you really live out and not simply recite every word to her.
The patterns that you can find on www.seduction.com or in this guide are mere examples of what pattern-talk is like, they are not spells that make magic things happen just because they are mumbled out loud. You can certainly start by memorising some patterns, but you will start having real success only when you'll be able to make up a pattern on the fly about anything, that is exciting and close to heart for that one specific girl you are talking to. It helps if you have a soft, low, mesmerising and a slightly hypnotic voice, and if you don't… try to modulate your voice to become as such while delivering your patterns:)
(ASF:) "Using a low, seductive voice may seem unnatural at first, but you must practice. Try tape recording your own voice so you get an idea of how you sound in general. Then tape yourself reciting a scripted pattern. You'll hear how stilted and unnatural it sounds. Now tape yourself while improvising that same pattern, but this time work on making how you say the words sound soothing and, well, seductive. Don't worry about screwing up the word order, just concentrate on HOW YOU SAY IT. Also - pause mid-sentence to create a sense of anticipation and mystery."
Update. Adapted from Ross Jeffries' public seminar tanscript no 1:
Ross: Some of you, your
tonality, up until tonight sucked. It just sucks. You need to
practice. You've got to make a
commitment to practice these skills. How many people here walk?
How many people here talk? How many people here can stand up?
How many people here are toilet trained? Keep your hand down, Bruce.
Just teasing, ok. Do you think those are all things that you
acquired immediately? Did you pop out of the womb being able to
do it? You had to practice. You must practice these skills on a
consistent basis. I don't know why I have to continue to hammer on
this point before you get it and incorporate it. So let's work on controlling tonality, let's put your notes down.
I dont want to see anyone writing or holding notes, anyone with a pen in their
hand will find their gentile is shrinking. And some of you have no
time to waste. How many of you know what the vowels
are? What are the vowels?
Ross: Wrong, here are the vowels. AAAA, EEEE, IIII, OOOO, UUUU. Those
are the vowels. So we're going to do an exercise. Put one hand on
your chest so you can feel the residence of your voice, take a deep
breath, put your head back and say with me. AAAA, EEEE, IIII, OOOO,
UUUU. Welcome to the five hour orgasm. Ok. When you speak to a
woman, you should be speaking such that your voice resinates. When
you practice these patterns out loud, and you must practice every
pattern OUT LOUD. Not in your head. Out loud, because you're speaking these
So, we must learn to control our tonality. Ok, let's
try another exercise. Let's pick a neutral word like watermelon.
Ok. Let's all just say watermelon.
Ross: Try it one more time
Ross: Ok, now. I want you to remember a time when you were angry,
really pissed off and say watermelon as if you were expressing that
angry feeling. Ready?
Ross: Alright, can you remember a time when you were curious? I want
you to say watermelon with a tonality of curiousity. Ready?
Ross: Watermelon, and now seductive and sexy. Say watermelon. Let's
start with this row, ok guys. Let's hear you do your watermelon
seductive and sexy, are you ready?
Ross: Do you see what I mean? Look, ok, let's hear you say the words,
seduce me, let's hear you say seduce me.
Audience: Seduce me
Ross: Louder, put your hand on your chest, get the resident, no
these guys only, put your head back, take a deep breath and go,
seduce me, make it resinate. Say it out loud.
Audience: Seduce me
Ross: Better, a little louder. This is not observant. Do it.
Seduce me, better, ok, now do watermelon.
Ross: Suck it in like this and go watermelon.
Ross: He's got it. Nicky, come on in and have a seat. Ok, do you guys
want to try it? Let's hear it. Let's hear the sexiest watermelon in the
Are we ready?
Audience and Ross: Watermelon
Ross: That's good. He's got it, go ahead, one more time.
Ross: Very good. Ok, all together, ready. 1, 2, 3,
Audience and Ross: Watermelon
Ross: If you guys need extra help on doing this you have my
permission to call two 900 numbers. I'm serious. Take them and
listen to how these women speak. Ok, if necessary, call a gay
Ross: I'm serious, I'm serious and listen to how they speak.
Here's a good
way to make sure you say it right, get the feeling for yourself right
here. And then as you're speaking to the woman, the feeling that
you want her to feel will guide your tonality. Do you get that?
So imagine the feeling that you want to feel right here and then
allow that feeling to guide your voice. So as the warmth of that
voice just wraps itself around you like a pair of legs around your
neck, you'll know, really know, on the inside, just exactly what's
happening, you know. You must learn to control your tonality. I
can't emphasize this enough. It is the single biggest stumbling
block. Some other ways to learn to control your tonality. Get a
dictionary. Pick out words at random and experiment saying those
words with the right tonality. Pick out loaded words like troop,
love, seduction, connection. Write these words down. Troop, love,
seduction, connection, desire, lust, absolutely fascinated. Ok.
And work on saying these in the right tonality. I just cannot
emphasize this enough. Trying to learn this without getting master
of your tonalities is like trying to drive your car without gasoline.
It's just not going to work.
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